Grizzly
Well-known member
I don't think the issue has ever been selling out venues - in 30 years of going to gigs (if you discount the night Therapy? played Manchester on the same night as England had a World Cup match) I don't think I have been to more than a handful that were sold to massively below the venue capacity. The issue is more the rapid escalation of ticket prices to those shows (and of the additional fees that the likes of Ticketmaster believe they are justified in charging on top f the escalating ticket prices).
This is not hugely scientific, but the cost of a show in Hyde Park in 2004 was £29.50. In 2014 it was £44. In 2024, £129 (and between 14 and 24 the venue had gone from open entry with a small fan club enclosure at the front to tiered entry - the top tickets were over £250) - so the first decade saw basically a 50% increase, the second nearly 300%.
Those numbers don't go through the whole market - a show at the Electric Ballroom (being the only other venue I attended in all three years) went, if you go for the most expensive each year, £14 to £23 and then to £45, though that £45 is the outlier (Kerry King) with three other shows coming in around £30. The basement end, where new acts cut their teeth, has stayed around the £10 mark throughout.
Conclusion, Ticketmaster get rich, and the creative arts get shafted...
This is not hugely scientific, but the cost of a show in Hyde Park in 2004 was £29.50. In 2014 it was £44. In 2024, £129 (and between 14 and 24 the venue had gone from open entry with a small fan club enclosure at the front to tiered entry - the top tickets were over £250) - so the first decade saw basically a 50% increase, the second nearly 300%.
Those numbers don't go through the whole market - a show at the Electric Ballroom (being the only other venue I attended in all three years) went, if you go for the most expensive each year, £14 to £23 and then to £45, though that £45 is the outlier (Kerry King) with three other shows coming in around £30. The basement end, where new acts cut their teeth, has stayed around the £10 mark throughout.
Conclusion, Ticketmaster get rich, and the creative arts get shafted...