At the risk of sounding thick,

[Tashyboy]

Just reading the thread about ribbed grips. And Jim flog talks about moving your grip on the club for a draw and fade. How's that work. I cannot meaningly ( if that's a word) do either, so how does moving your hands on the grip contribute to either. I always thought it was wrist action or summat else that contributed to draw or fade. Or in my case, Topped it, knobbed it, Skyed it.

If answering, for gods sake keep it simple cheers Tash 👍

 

[bluewolf]

Think of it less as moving your grip and more as moving the Club head/face in relation to your grip. 👍

 

[Deleted member 1147]

Different people approach hitting shaped shots in different ways. Some change set-up, stance, grip etc

Personally I've never changed my grip to hit draw/fade. I change stance and how/when I release the hands through impact.

 

[hors limite]

Just put " draw fade" on YouTube.

 

[jim8flog]

You move the club round in your grip to open or close the club face.

Close for a draw and open for a fade.

I am someone who works the shot out to in for a fade and in to out for a draw. Open stance for a fade and closed stance for a draw but the clubface always points at the target.

May be a bit of 'an old fashioned' method but I have been playing for over 40 years and my days of bashing balls down the range to practice have long since gone so I am not wiling to try a the new methods.

 

[ManinBlack]

The grip determines the relationship between the clubface & the direction of the swing. Say every shot started right & faded this would mean the face was open at impact. A solution would be to move the left hand clockwise around the shaft & use the same swing. Now the face would be square to the swingpath at impact & the ball should go straight. If the ball starts left & also slices then it's likely swingpath & face are wrong. This explains it https://www.google.co.uk/search?q=b..._AUIFCgC&biw=962&bih=601#imgrc=_lOFhAwXpzzR_M

 

[ManinBlack]

P. S. Don't worry about sounding thick, it's just your funny accent. I have the same problem.

 

[bobmac]

You move the club round in your grip to open or close the club face.

Close for a draw and open for a fade.

I am someone who works the shot out to in for a fade and in to out for a draw. Open stance for a fade and closed stance for a draw but the clubface always points at the target.

May be a bit of 'an old fashioned' method but I have been playing for over 40 years and my days of bashing balls down the range to practice have long since gone so I am not wiling to try a the new methods.

I would have agreed 15 years ago as that's what everyone thought/taught but that has since been proved to be wrong.

 

[HomerJSimpson]

I saw Monty at a demo day and he said he never changed set up etc and all he'd do to hit a fade would be to point the face slightly right and then take his grip and swing normally and vice versa for a draw. I have used it and it does work

 

[Pin-seeker]

Makes me laugh listening to amateurs talk bout swapping from a fade to draw like it’s easy to do on demand.

Then we see Dougherty asking the pros to demonstrate it & they struggle 🤷‍♂️😂.

 

[Lump]

Makes me laugh listening to amateurs talk bout swapping from a fade to draw like it’s easy to do on demand.

Then we see Dougherty asking the pros to demonstrate it & they struggle 🤷‍♂️😂.

A little unfair. Pro’s don’t struggle, for the most part they play 1 shape. Not wanting to hit the other shape, therefore design there swing around that.
It is easy to alter shape on demand, the issue is and always will be control.

 

[BubbaP]

I saw Monty at a demo day and he said he never changed set up etc and all he'd do to hit a fade would be to point the face slightly right and then take his grip and swing normally and vice versa for a draw. I have used it and it does work

I don't recall Monty ever hitting a draw!

 

[williamalex1]

P. S. Don't worry about sounding thick, it's just your funny accent. I have the same problem.

You think you've got problems

 

[ManinBlack]

You think you've got problems

They say down here that a Scotsman is a Geordie with his brains bashed in.

 

[HankMarvin]

Just reading the thread about ribbed grips. And Jim flog talks about moving your grip on the club for a draw and fade. How's that work. I cannot meaningly ( if that's a word) do either, so how does moving your hands on the grip contribute to either. I always thought it was wrist action or summat else that contributed to draw or fade. Or in my case, Topped it, knobbed it, Skyed it.

If answering, for gods sake keep it simple cheers Tash 👍

To late Tashy, you had us at the 5 minute ball search 😂

 

[Tashyboy]

To late Tashy, you had us at the 5 minute ball search 😂

😳 now if memory serves me right, that lost ball was hit with a draw, which I wasn't trying to play. Lovely flight on it.

 

[williamalex1]

They say down here that a Scotsman is a Geordie with his brains bashed in.

We say it the other way round

 

[SwingsitlikeHogan]

We say it the other way round

...though there are plenty varieties of Scot

 

[jim8flog]

I would have agreed 15 years ago as that's what everyone thought/taught but that has since been proved to be wrong.

It still works for me

 

[Parsaregood]

If you just close the face and swing normally if you deliver the club back to the way it was at address you would technically be hitting a pull or a pull draw so it's not really a draw and it's the same for a fade. Learn to manipulate swingpath to curve the ball, once you learn that it's actually pretty easy, you only have to close or open the face if you want to curve extremes like hitting 20/30 yard hooks or banana balls round trees etc