Blue in Munich
Crocked Professional Yeti Impersonator
I was referring more to his "stable of artistes" system rather than the quality of his output which was undoubtdly a cut above :whoo:
Couldn't agree more that BG's work will still be getting played 100 years hence, however Cowbell and the others will, if lucky, be little more than a pretty obscure and hard to find footnote in music's history :thup:
Ah, that's alright then, I'll let you off……..